It seems everybody needs a second income these days. Male Voice Over Talents used in many circumstances. While it is a steep challenge hoping to make a living this way, it helps to know there are many different kinds of opportunities. These range from dramatic roles in audio books to an anonymous narration.
Slightly faded but yet recognizable stars often accept sound studio acting roles because of their ease, when compared to visual media. There's no need for hours in makeup or costuming in a sound studio. Increasingly, even the biggest stars can be found doing voice for cartoon characters, particularly in feature-length cartoons. For many, the motivation is the pleasure of entertaining a largely child audience, but no one complains about earning a bit extra.
Fortunately there is such a glut of demand for recorded readings that there aren't enough stars in Hollywood to scratch the surface of that demand. This leaves lots of work left for everyone else. Generally, there are more opportunities available for those who have some experience or training in acting.
Acting comes in many forms, of course. One kind of actor is the everyday telemarketer, working off scripts over the phone, hundreds of times per week in repetition. The sale made over the phone can be thought of as an effective dramatic performance before a live, though remote, audience. The talents of a telephone salesperson translate quite neatly to those needed to do voice work, and there are a great many in that line of work that might need a new income source.
Not only salespeople, but anyone trying to make ends meet while working in customer service, bill collection, or any other telephone-oriented job ought to consider sound work. People with this background learn to recognize when they are speaking effectively, and over time craft their voices to the point where they truly have taken on a wholly different dramatic person.
Some qualities are generally helpful. A rich voice with a flat, "television accent" is usually the most in demand, with the best chance to get work reading previously unrecorded text into audio format. Here, the reader should not try to exude any personality of their own. Only the words of the book or article being recorded are meant to have a personality.
Those with a charismatic speaking style can be welcome precisely because of a unique accent or ethnic style. No one should be discouraged from working in voice just because they don't sound like their TV news anchorman. Further, a growing sector of the field demands bilingual narration, so there is demand for speakers of Spanish, Chinese, and many other languages.
A special few work exclusively doing audio work. Doing this calls for much more than a nice voice. Those who have made a profession off audio recording have both drive and attention to objective detail. At the very least, audio work can help one's budget by providing that second income source.
Slightly faded but yet recognizable stars often accept sound studio acting roles because of their ease, when compared to visual media. There's no need for hours in makeup or costuming in a sound studio. Increasingly, even the biggest stars can be found doing voice for cartoon characters, particularly in feature-length cartoons. For many, the motivation is the pleasure of entertaining a largely child audience, but no one complains about earning a bit extra.
Fortunately there is such a glut of demand for recorded readings that there aren't enough stars in Hollywood to scratch the surface of that demand. This leaves lots of work left for everyone else. Generally, there are more opportunities available for those who have some experience or training in acting.
Acting comes in many forms, of course. One kind of actor is the everyday telemarketer, working off scripts over the phone, hundreds of times per week in repetition. The sale made over the phone can be thought of as an effective dramatic performance before a live, though remote, audience. The talents of a telephone salesperson translate quite neatly to those needed to do voice work, and there are a great many in that line of work that might need a new income source.
Not only salespeople, but anyone trying to make ends meet while working in customer service, bill collection, or any other telephone-oriented job ought to consider sound work. People with this background learn to recognize when they are speaking effectively, and over time craft their voices to the point where they truly have taken on a wholly different dramatic person.
Some qualities are generally helpful. A rich voice with a flat, "television accent" is usually the most in demand, with the best chance to get work reading previously unrecorded text into audio format. Here, the reader should not try to exude any personality of their own. Only the words of the book or article being recorded are meant to have a personality.
Those with a charismatic speaking style can be welcome precisely because of a unique accent or ethnic style. No one should be discouraged from working in voice just because they don't sound like their TV news anchorman. Further, a growing sector of the field demands bilingual narration, so there is demand for speakers of Spanish, Chinese, and many other languages.
A special few work exclusively doing audio work. Doing this calls for much more than a nice voice. Those who have made a profession off audio recording have both drive and attention to objective detail. At the very least, audio work can help one's budget by providing that second income source.
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